Vasu then returns to Goa and impresses Sapna's parents with his Hindi skills.
However, Sandhya comes to know of Vasu's real love and goes to Goa to know the exact situation and to clear the misunderstanding between the lovers.
Vasu gets upset and decides to marry Sandhya on the rebound. Meanwhile, Sapna's mother brings a family friend's son, Chakram (Rakesh Bedi), to Goa to distract Sapna from her devotion to Vasu, but she is not impressed.ĭuring a chance meeting in Mangalore, Chakram lies to Vasu that Sapna has agreed to marry him. Vasu then meets Sandhya (Madhavi), a widow who teaches him Hindi. Vasu moves to Hyderabad, and they both initially suffer a lot tolerating the separation. Vasu and Sapna reluctantly agree to the condition and decide to separate. During the year there should be no contact between them whatsoever. After such a period, if they still want to get together, they can get married. As a ploy to separate the lovers, their parents impose a condition that Vasu and Sapna should stay away from each other for a year. When Vasu and Sapna admit their love, there is chaos in their homes, and their parents reject the idea. Their parents despise each other and they have regular skirmishes. They come from totally different backgrounds and can hardly speak the other's language.
This poignant romantic drama evocatively depicts the love story between a Tamil man, Vasu (Kamal Haasan), and a North Indian woman, Sapna (Rati Agnihotri), who are neighbours in Goa. Does this signal the end of their romance? What impact will Vasudevan's past have on Sandhya, and how will she react when she eventually finds out about his feelings about Sapna? While on a trip to Mangalore he finds out that Sapna has got married to Chakravarty, and instantly decides to propose to Sandhya, who agrees to marry him.
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Vasudevan befriends a widow, Sandhya, and learns how to dance as well as read and write Hindi, while his dad arranges his marriage with Tamil-speaking Tulsi. Strong opposition only strengthens their romance, forcing the families to compel the couple to stay away for a year, and not to communicate to each other in any manner.īoth agree, and Vasudevan leaves for Hyderabad, Andhra Pradesh, to work for G. Sivaramakrishan, his wife, Vandana and son, Vasudevan, and detest the Kundanlals' meat-eating habits.īoth families are aghast with surprise and anger when they find out that Sapna and Vasudevan are in love with each other. Their immediate neighbors are Tamil-speaking vegetarian tenants, V. Hindi-speaking collegian Sapna lives a wealthy lifestyle in Dona Paula, near Panaji, Goa, India, along with her Professor dad, Kundanlal, and mom. 1 on the Billboard Hot 100 and gained critical acclaim.This epic love story follows the evolution in the love between a Tamil man, Vasu and a Hindi-speaking girl, Sapna. The makers of Toxic selected two sections of the song and skilfully blended them together, resulting in the addictive hook, as shown in the video. However, a video by Insider analyses the music by chatting with vocalist Manasi Prasad and composer Adam Ragusea and indicates that the song Tere Mere Beech Mein from Ek Duje Ke Liye is the source of the hook. The song’s catchy chorus is the only part of the song that has stuck with us. To say that Toxic resurrected her music career would be an understatement.
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Britney Spears released Toxic in 2003, which would go on to become one of her biggest singles.īritney’s career was in free fall at the time, and she hadn’t had a hit in almost four years. The song ‘Tere Mere Beech Mein’ from Kamal Haasan and Rati Agnihotri’s 1981 film Ek Duuje Ke Liye influenced Britney Spears’ greatest hit song –Toxic, according to YouTube channel Insider. However, it appears that the roles have been flipped this time, as a Hollywood song has been inspired by a Bollywood tune! Many times, it is brought to people’s attention that a particular song was borrowed, duplicated, or influenced by the West. Bollywood musicians and music composers are frequently accused of plagiarising or stealing parts of songs from around the world.
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